/page/2

カラー、デジタルで撮る森山大道の東京。

梅佳代

バケペンのシャッター音最高!!

 – 02 LOST HF MIX LIVE NOV.2001#2
[Flash 9 is required to listen to audio.]
 – LOST HF MIX MELLOW DISCO#1
[Flash 9 is required to listen to audio.]
tokyo-camera-style:

Shinjuku
Mamiya 7II with 80mm lens
Photographer:  Andrew Acacio 
Andrew is a Bay Area photographer who was visiting Japan last week. Really cool guy. You can follow him on tumblr: Aperture Science

tokyo-camera-style:

Shinjuku

Mamiya 7II with 80mm lens

Photographer:  Andrew Acacio 

Andrew is a Bay Area photographer who was visiting Japan last week. Really cool guy. You can follow him on tumblr: Aperture Science

sarlos:

オールドニコンにはカニ爪レンズがよく似合いますナ。
カニ爪が必要なのは、F2のフォトミックファインダーまでなのでF3には関係ないというツッコミはなしの方向で。

ファインダーと言えば、F5までのF一桁やペンタックスのLXなどはファインダー が交換できて良かったけど、今や電子デバイス山盛りだしファインダー固定式が当たり前なんだろうネ。
写真に写ってるのは、右が標準のハイアイポイントで左は別売のウエストレベルファインダー。 

(mijonjuから)

tokyo-camera-style:

Ebisu
Fuji GSW690III with a Voigtlander VC meter
I just really want you all to understand that this isn’t “hey what camera you got in your bag” but rather  ”Oh man there is a guy with a Fuji 6x9 around his neck on a date with his girlfriend*”.  
That means I only photograph the cameras that come within my range of vision (i.e. over a shoulder or around a neck)  on the particular street or place I am standing, and even then it is only the cameras belonging to people whom I am able to approach and talk to.   
* you’ll see quite a few lady feet and bags in the frames of these pictures. They usually belong to Significant Others who patiently wait while I take a picture of their better half’s camera. 

tokyo-camera-style:

Ebisu

Fuji GSW690III with a Voigtlander VC meter

I just really want you all to understand that this isn’t “hey what camera you got in your bag” but rather  ”Oh man there is a guy with a Fuji 6x9 around his neck on a date with his girlfriend*”.  

That means I only photograph the cameras that come within my range of vision (i.e. over a shoulder or around a neck)  on the particular street or place I am standing, and even then it is only the cameras belonging to people whom I am able to approach and talk to.   

* you’ll see quite a few lady feet and bags in the frames of these pictures. They usually belong to Significant Others who patiently wait while I take a picture of their better half’s camera. 

カラー、デジタルで撮る森山大道の東京。

梅佳代

バケペンのシャッター音最高!!

tokyo-camera-style:

Shinjuku
Mamiya 7II with 80mm lens
Photographer:  Andrew Acacio 
Andrew is a Bay Area photographer who was visiting Japan last week. Really cool guy. You can follow him on tumblr: Aperture Science

tokyo-camera-style:

Shinjuku

Mamiya 7II with 80mm lens

Photographer:  Andrew Acacio 

Andrew is a Bay Area photographer who was visiting Japan last week. Really cool guy. You can follow him on tumblr: Aperture Science

sarlos:

オールドニコンにはカニ爪レンズがよく似合いますナ。
カニ爪が必要なのは、F2のフォトミックファインダーまでなのでF3には関係ないというツッコミはなしの方向で。

ファインダーと言えば、F5までのF一桁やペンタックスのLXなどはファインダー が交換できて良かったけど、今や電子デバイス山盛りだしファインダー固定式が当たり前なんだろうネ。
写真に写ってるのは、右が標準のハイアイポイントで左は別売のウエストレベルファインダー。 

(mijonjuから)

tokyo-camera-style:

Ebisu
Fuji GSW690III with a Voigtlander VC meter
I just really want you all to understand that this isn’t “hey what camera you got in your bag” but rather  ”Oh man there is a guy with a Fuji 6x9 around his neck on a date with his girlfriend*”.  
That means I only photograph the cameras that come within my range of vision (i.e. over a shoulder or around a neck)  on the particular street or place I am standing, and even then it is only the cameras belonging to people whom I am able to approach and talk to.   
* you’ll see quite a few lady feet and bags in the frames of these pictures. They usually belong to Significant Others who patiently wait while I take a picture of their better half’s camera. 

tokyo-camera-style:

Ebisu

Fuji GSW690III with a Voigtlander VC meter

I just really want you all to understand that this isn’t “hey what camera you got in your bag” but rather  ”Oh man there is a guy with a Fuji 6x9 around his neck on a date with his girlfriend*”.  

That means I only photograph the cameras that come within my range of vision (i.e. over a shoulder or around a neck)  on the particular street or place I am standing, and even then it is only the cameras belonging to people whom I am able to approach and talk to.   

* you’ll see quite a few lady feet and bags in the frames of these pictures. They usually belong to Significant Others who patiently wait while I take a picture of their better half’s camera. 

tokyo-camera-style:

Ochanomizu
Mijonju’s Polaroid 185 
more info here

tokyo-camera-style:

Ochanomizu

Mijonju’s Polaroid 185 

more info here

02 LOST HF MIX LIVE NOV.2001#2

02 LOST HF MIX LIVE NOV.2001#2 by hiroshi fujiwara

LOST HF MIX MELLOW DISCO#1

LOST HF MIX MELLOW DISCO#1 by hiroshi fujiwara

Tumblrについて:

フォロー: